GINGER
Zingiber Officionale
Medicine for the illness :
To make a perspiring
Materials :
- Ginger along the finger
- betel along the finger
- 4 of the clove
- ¼ of Nutmeg
- Cinnamon along the finger
- 2 of the chili
- 3 string the rough-skinned citrus fruit leaves
- Palm SugarHis method:
All materials were boiled with water for ten minutes. Afterwards was drunk.
TIME OF PICKED THE PLANT :
WASHED AND DRY PLANTS METHOD:
SILENCE IS A GOLD
If God giving a choice for us… “Just choose the one of this… have an Ear or Mouth” what you must choose. That answer depend from each characters. Some people said that they are choose a mouth and any one else choose an ear with any possible reason. But you must know it, That the human deaf since they were born they must mute. Behind of that the human mute since they was born they have a normal ear.
We operate in a universe which is governed by certain laws. It therefore commands that our thoughts ought to correspond to these universal laws. The principle of universalism must be at the core of our thinking. We must move away from individualistic thinking and look at the wider picture.
Together we make the universe whole, thus our thoughts must be ones which are in harmony with everyone and everything else. Each one of us forms part of one complete whole. We are who we are because of everyone around us. We are interconnected. The guiding principle is ‘do unto others as you would like them to do unto you’.
Selfish demands are egoistic in nature and are not in harmony with the universe. We all have ego desires at one level or another and we can probably never get rid of the ego entirely. However, in order to be in harmony with the universal force, our desires must be less egoistic and more spirit centred. Spirit centred desires are selfless in nature.
Instead of living our lives trying to impose our own egoistic ideals, we must surrender to a Higher Power and be led. This is the effortless approach. When you are in rapport with the Great Spirit, you are led to the right places at the right time. There won’t be any need on your part to pursue selfish ends, instead you will become an instrument of the Divine, and begin to experience the miraculous. Such effortlessness is inherent in nature, the sun does not struggle to rise, it simply just rises. Flowers do not try to bloom they just bloom. The birds of the air, as Jesus preached, are well fed yet they do not sow or reap. Such effortlessness can become a real part of our lives when we surrender to our spiritual nature.
While our thoughts indeed have the power to create, let’s understand that we are not THE CREATOR but CO-CREATORS. Be aware that selfish desires are self-destructive and the only way we may ever attain true happiness and peace is when we make ‘do unto others as you would like them to do unto you’ the guiding principle of our lives. Like I said before that ALL of CREATE is an ART.
Ramayana Ballet
Basically, it tells the same story of Rama and Sita as told in the Kechak but without the monkey ensemble and with a normal gamelan gong accompaniment.
Kebyar
It's a male solo dance like the Baris but with greater emphasis on the performer's individual abilities. There are various forms of Kebyar including the Kebyar Duduk and Kebyar Trompong.
Barong Landung
The giant puppet dance take place annually on the island of Pulau Serangan and a few other places in southern Bali.
Janger
The Janger is a relatively new dance which suddenly popped up in the '20s and '30s. Today it has become part of the standard repertoire and no longer looks so unusual.
Pendet
It's an everyday dance of the temples, a small procedure to go through before making temple offerings.
Sanghyang (Fire Dance)
The Sanghyang trance dance originally developed to drive out evil spirits from a village. The Sanghyang Dedari dance is performed by two young girls who dance a dream-like version of the Legong but with their eyes closed. The Sanghyang Jaran, a boy dances around and through a fire, riding a coconut palm hobby-horse. In both dances, a priest is always on hand to help bring the dancers out of their trancestate at the end of the performance.
Kris Dance
In the Barong play, Bali's mythical guardian, Barong, battles Rangda, the demon - Queen. barong's supporters are a group of Balinese men with the natural ability to enter a trance state. They are armed with a kris ( traditional sword). Rangda insults Barong and taunts the men- enraged and in a trance they attack her! But her powers are so strong that they are knocked out. When they come to they are so distressed by their failure, that they try to impale themselves on their kris. But their trance state amazingly protects them from injury.
Legong
It's the most graceful of Balinese dances. A legong dancer is known as a young girl, often as young as eight or nine years, rarely older than her early teens. There are various forms of the Legong but the Legong Kraton is the one most often performed.
Baris
The warrior dance, known as the Baris, is traditionally a male equivalent of the Legong femininity and grace give way to energetic and warlike martial spirit.
Barong & Rangda
It's the most popular dance for tourists. A straightforward battle between good, the barong, and bad, the rangda. The barong is a strange creature, half shaggy dog, half lion, propelled by two men like a circus clown-horse. The widow-witch rangda is bad though and certainly not the sort of thing you'd like to meet on a midnight stroll through the rice paddies. The Barong dance is truly a triumphant display of bright colors and graceful movements. Greatly appreciated by the tourists, special performances are staged for their benefit, generally in the morning, and last one hour.
The villages of Batubulan as well as Tegaltamu and Singapadu, small towns located 30 minutes from the capital, are known for putting on the best performances. There is, however, more to the Barong dance than the folkloristic dimension, It is, in fact, an integral part of the island's culture and has an evident sacred connotation. It isn't rare, in fact, to see the Balinese dancing the Barong during their religious ceremonies, regardless of the presence of tourists.
Inspired by an episode taken from Mahabharata, an epic poem written in Sanskrit. the dance evolves around the character of the Barong, the king of the jungle. A mythical animal, not clearly identified (perhaps a lion), he is the symbol of virtue and good, subject to the continuous struggle against the evil forces that threaten life and the integrity of the forest, this being an element very dear to the Balinese population. In detail, the Barong embodies everything that can be beneficial to man, and help him defeat illness. black magic and any other kind of misfortune.
The evil entity against which he must relentlessly fight is personified by Rangda, queen of death and devourer of children. She is characterized by a dark and gloomy mask from which a red tongue of fire hangs. The entire dance is centered around the struggle between these two rival characters. The Barong is interpreted by two dancers whose rhythmic movements bring to life the beautiful and elaborate cos tume they wear. a large animal head skillfully carved out of wood, brightly colored in red, white, black and gold. It is adorned with a crown extending outwards from the sides of the head, and by a prominent necklace which hangs from the neck,
The final touch of the costume is a tail made out of bison leather which is elaborately finished and guilded. The first character to appear on the stage is the Barong with his swaying gait: his dance is meant to express the joy of living. He is followed by a group of armed supporters who stand ready to defend him.
When Rangda strikes her terrible blows. It isn't at all rare for the dancers playing the Barong's followers to become so engrossed in the sacredness of the per- formance that they go into a real trance. A cloud of characters surround the Barong on stage. Rangda, goddess of death, personification of evil, the young girl servant Kalika; Dewi Kunti, queen of the kingdom of Hastina and her stepson Sadewa who will be sacrificed in order to placate the anger of Rangda, the minister Dewi Kunti; Patih who ex- presses sorrow for the fate of Sadewa (Rangda will have to enter his soul in order to make him accept the sacrifice), and then the monkey supporters of the Barong, producers of palm tree wine (nira).
A very important element in the entire dance is the large orchestra, known as gamelan, which is essential to underscore the ritual nature of the performance. Many are the instruments that make up the orchestra: some metal xylophones which stand out not only because they are so numerous but because of their power ful and imperious sound; there are also drums as well as flutes, the rebab (a type of violin) and the gender (typical xylophones).
All together, these instruments are essential in guiding the dance and underscoring the rhythm of well coordinated movements. These along with the joyful colors are the most alluring elements of this remarkable perfor mance. At the end of the dance, the masks of the Barong and of Rangda, as proof of their sacred nature, are stowed in a special room inside the temple. They are covered very carefully, especially Rangda's mask, because its deadly powers are greatly feared. It's a way of saying that the ritual victory of the Barong, that is of good, which marks the end of the dance, is only temporary: tomorrow the eternal and unresolved conflict could begin again.
The end of the Barong dance is like an entirely separate performance. Also known as the Kris dance, it is named after the famous Malese dagger. The idea is based on the philosophical concept rwa bhineda. good and bad, evil and goodness which have always been present and have always existed together albeit in a constant and inevitably unre solved conflict. Nothing will change in the future. While man is left free to try to develop his positive attitudes and let them win over the negative ones, he must nonetheless resign himself to the fact that the presence of both good and evil is a law of nature and as such must be accepted.
When the dance is performed, Rangda is the evil spirit which enters the bodies of his victims, usually followers of the Barong, and pushes them to the edge of suicide. The dancers attempt to stab themselves in the chest with their krises until they are finally stopped by the beneficial appearance of the Barong. It is he who will save these unfortunate beings by revealing that the notion of good and evil will always be inevitably present in the world and in everyone's life and that they must therefore accept it.
Kecak
Topeng
The Gamelan
Balinese music is based around an instrument known as the gamelan. The gamelan is such a central part of Balinese music that the whole 'orchestra' is also referred to as a gamelan. Gamelan music is almost completely percussion. Though it sounds strange at first with its noisy, jangly percussion it's exciting and enjoyable.
After hell bombing in this island, Bali never give up and still stand to grow for make this island be a beautiful place. Whit this amazing panorama, culture and people living Bali has a great source for Art.
Music, dance and drama are all closely related in Bali, in fact drama and dance are synonymous. The most important thing about Balinese dances, however, is that they're fun and accessible. Balinese dances are not hard to find; there are dances virtually every night at all the tourist centers.
IMPROVISATIONAL DRAMA
In Indonesia has a improvisation of drama called TABLO. It has typical like an Opera, combined poetry, music, and dance. A different thing is the spoken that tell the story do from outer stage by one man. The players on the stage just act followed spoken. It’s almost same with theatrical in Japan… Kabuki
Improvisational drama, a form of improvisational theatre, is drama that has no set script, in which the performers take their cues from one another and the situations (sometimes established in advance) in which their characters find themselves to create their own dialogue as they perform. Improvisational drama is made up on the spot using whatever space, costumes or props are available.
DRAMA
Drama is a literary form involving parts written for actors to perform. It is a Greek word meaning "action",
Dramas can be performed in various media: live performance, radio, film and-or television. "Closet dramas" are works written in the same form as plays (with dialogue, scenes, and "stage directions"), but meant to be read rather than staged; examples include the plays of Seneca, Manfred by Byron, and Prometheus Unbound by Percy Bysshe Shelley. Other dramatic literature may not resemble plays at all, such as the Imaginary Conversations of Walter Savage Landor.
Drama is also often combined with music and dance, such as in opera which is sung throughout, musicals which include spoken dialogue and songs, or plays that have musical accompaniment, such as the Japanese Noh drama.
POPULER GAME
The game of Chicken models two drivers, both headed for a single lane bridge from opposite directions. The first to swerve away yields the bridge to the other. If neither player swerves, the result is a costly deadlock in the middle of the bridge, or a potentially fatal head-on collision. It is presumed that the best thing for each driver is to stay straight while the other swerves (since the other is the "chicken" while a crash is avoided).
Additionally, a crash is presumed to be the worst outcome for both players. This yields a situation where each player, in attempting to secure his best outcome, risks the worse. A similar version, under the name of "chickie run", is a central plot element in the movie Rebel Without a Cause where the characters played by James Dean and Corey Allen race their cars towards a cliff instead of each other.
The phrase game of Chicken is also used as a metaphor for a situation where two parties engage in a showdown where they have nothing to gain, and only pride stops them from backing down. Bertrand Russell famously compared the game of Chicken to nuclear brinkmanship:
Since the nuclear stalemate became apparent, the Governments of East and West have adopted the policy which Mr. Dulles calls 'brinkmanship'. This is a policy adapted from a sport which, I am told, is practised by some youthful degenerates.
This sport is called 'Chicken!'. It is played by choosing a long straight road with a white line down the middle and starting two very fast cars towards each other from opposite ends. Each car is expected to keep the wheels of one side on the white line. As they approach each other, mutual destruction becomes more and more imminent. If one of them swerves from the white line before the other, the other, as he passes, shouts 'Chicken!', and the one who has swerved becomes an object of contempt.
As played by irresponsible boys, this game is considered decadent and immoral, though only the lives of the players are risked. But when the game is played by eminent statesmen, who risk not only their own lives but those of many hundreds of millions of human beings, it is thought on both sides that the statesmen on one side are displaying a high degree of wisdom and courage, and only the statesmen on the other side are reprehensible. This, of course, is absurd. Both are to blame for playing such an incredibly dangerous game.
The game may be played without misfortune a few times, but sooner or later it will come to be felt that loss of face is more dreadful than nuclear annihilation. The moment will come when neither side can face the derisive cry of 'Chicken!' from the other side. When that moment is come, the statesmen of both sides will plunge the world into destruction.As Dixit and Nalebuff point out in Thinking Strategically, Brinkmanship involves the introduction of an element of uncontrollable risk.
Even if all players act rationally in the face of risk, uncontrollable events can still trigger the catastrophic outcome. In the "chickie run" scene this happens when Corey Allen's character cannot detach himself
The game of Chicken, also known as the Hawk-Dove game, is an influential model of conflict for two players in game theory. The principle of the game is that while each player prefers not to yield to the opponent, the outcome where neither player yields is the worst possible one for both players.
Mathematically, Chicken and Hawk-Dove are identical; the different names stem from parallel development of the basic principles in different research areas. "Chicken", is most prevalent in the political science and economics literatures, while "Hawk-Dove" is most commonly used in the biological and evolutionary game theory literatures. The game is similar to the prisoner's dilemma in that an "agreeable" mutual solution is unstable since both players are individually tempted to stray from it.
The male chicken called Rooster was the Symbol for masculinity. Because his characteristics that were brave, never surrendered (until he die) and liked to dispute. Do you know the unique character of Rooster is "once he run from their fight, he doesn’t have a bravery to fight again". That's why coward character called chicken.
Because of his characteristics, in many countries like Thailand, Indonesia etc. Rooster to be use in competed and was made entertainment. Moreover was made to be a gambling.
The chicken was the unique animal. Nearby as the livestock animal that close to humankind, the chicken found it easy to be maintained, easy to be breeding and many uses. As consumption of the egg and his meat has a very delicious taste and has a high nutrition.
In Indonesia its not to hard to find race of the doves, more over was made the gambling site. As far as his birds of the dove of the price fight until millions Rupiah.
That race kind then various sorts, but basically several doves were released together in the distance that was determined, that was fastest came home was the winner.
Next time I want to show you how fun to see that race and make doves as a racer.
The dove has a symbol:
Ø Universal symbol of peace and innocence.
Ø Universal symbol of faithfully
Ø Universal symbol of Holy Spirit
In ancient Greek myth it was a bird of Athene which represented the renewal of life.
In the Bible it was a dove released from the Ark by Noah which returned with an olive branch to show that the Biblical flood was over. Ever since, the dove has symbolised deliverance and God's forgiveness.
According to legend the devil and witches can turn themselves into any bird shape except the dove.
In ancient Japan the dove was sacred to Hackiman the god of war, but it was a dove with a sword which announced the end to war.
Any of certain birds of the pigeon family, Columbidae (order Columbiformes). The names pigeon and dove are often used interchangeably. Although “dove” usually refers to the smaller, long-tailed members of the pigeon family, there are exceptions: the domestic pigeon, a rather typical pigeon, is frequently called the rock dove and is the bird portrayed and called the “dove of peace.” The common names of these birds do not necessarily provide any information about their biological relationships.
The dove is a unique animal from the bird species. Its nice & easy to keep and maintainance this animal in our home. Cause we just make a box for their home keep for a view days then release him. They remember home even we release them for a far away. Next I want to write any enjoyed to breed them. The Couple of them have a good loyality each other. No wonder so many symbol use this animal.
